Collections

There are no seasonal Spider Canada collections here. The range is grouped by print, because that is how it was made and how people actually shop it: you fall for a drawing first and then decide which shape you want it on. It also means the category pages are the honest way in. Each one holds a single shape at a single weight, so the hoodies page is every 380 GSM pullover regardless of which drawing is on it, and the t-shirts page is every jersey tee between 180 and 220 GSM. If you already know the drawing, start from the print; if you know the shape you want, start from the category.

The Prints, and Where Each One Lives

Every drawing here sits on the shape that suits it rather than running across everything at once. Thirteen named drawings carry the whole range. Web runs widest with seven bodies under one piece of lettering; OG Web sits on four hoodie grounds; Ponk takes five pairs of sweatpants splits into a white version and a violet one on the same cross. The rest hold one or two grounds each. Weight is the other axis, and it is fixed by shape rather than by print: hoodies, zip hoodies, cargos and sweatpants at 380 GSM, crewnecks and long sleeves at 240, compression pieces, bodysuits and leggings at 230, and tees between 180 and 220 depending on how boxy the cut is. A drawing that appears on both a hoodie and a tee is the same artwork twice at two of those weights, which is why it reads flatter on one than the other.

  • OG Web, the widest of them, on hoodies in four grounds.
  • Phantom, on a hoodie, a tee, a tank, a bodysuit and a pair of sweatpants.
  • Web, one drawing across seven long sleeves.
  • Hellcat Kenny, Thug and I Love, carrying the tees.
  • Rhinestone, on red, and the plain Graphic tee in white.
  • Ponk, down the leg in five grounds.
  • , Classic Flame Logo Graffiti and the, the quieter bottoms.
  • Star Pattern on the single pair of leggings, Wide and Ribbed on the tanks, and the newer zips, cargos, bodysuits and compression pieces each carrying a drawing of their own.
Hoodies hold the heaviest artwork, and that is where a print shows what it can do. Tees and tanks are the least forgiving surface, since there is no hood or zip to break up the chest. Bottoms take the most friction of anything, which is why the drawings there run as lettering rather than detail. Full sets are not stocked, so a two-piece is built from a hoodie and the sweatpants that share its ground. Nothing here is a limited drop, and nothing is numbered. Colorways come and go, though, and a ground that sells through is not guaranteed to return.

What Counts as New Here

New usually means another ground on a drawing that already works rather than a drawing nobody has seen. That is deliberate: getting artwork to sit properly on cloth is slow, so a print that behaves earns more colorways instead of being replaced. That also explains the gaps. A drawing sits out until there is a shape it genuinely suits, and a shape stays empty until there is a drawing worth putting on it. The practical effect is that one name turns up at several weights, and Phantom is the clearest case of it: the same artwork from a 380 GSM hoodie down to a 180 GSM tee, with only the cloth underneath changing.

If you are starting from nothing, start with the shape you wear most rather than the print you like most. A drawing you love on a hoodie you never reach for is money sat in a wardrobe.

The Shelves with Nothing on Them

Kids, tracksuits, shorts, short sets, sweaters, accessories, beanies and caps are open pages carrying no stock. They stay open so the sizing and care notes are ready rather than being hidden and rebuilt later.

When those fill, they will carry prints already running on the tops. That is the plan, and no date is attached to it.